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 Sigma Corporation of America

CONTEMPORARY

50–120mm F2.8 DC OS

Uncompromising optical performance in an exceptionally compact body
The definitive large-aperture telephoto zoom for APS-C cameras

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NEW PRODUCTS

CONTEMPORARY
16–300mm F3.5–6.7 DC OS

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CONTEMPORARY 
20–60mm F2.8–4 DG 

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TREVOR KEY

Trevor Key’s collaborative and experimental photographic practise spanned over twenty years (1972–1995). This book is the first to honor his processes and prescience and is an enduring love-letter to the future of image-making.

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The BF Camera

MADE IN AIZU
JAPAN

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THE BEAUTY OF A 
SIMPLE THING

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PRODUCT categories

LENSES

Our lenses are organized into three distinct lines to clarify the intent and concept behind their design. These categories guide photographers in choosing the right lens without restricting their vision.

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CINE LENSES

Engineered for high-end filmmaking, our revolutionary CINE Lenses answer the needs of modern cinematic productions with outstanding quality.

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CAMERAS

The joy of photography goes beyond mere technical perfection. Our unique cameras are designed and engineered to inspire creativity in every moment.

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Impressions

  • Iceland: Chasing Light – A Travel Series by B&H, Sponsored by SIGMA

    Iceland: Chasing Light – A Travel Series by B&H, Sponsored by SIGMA

    B&H and SIGMA are pleased to bring you an outdoor photography video series, Iceland: Chasing Light. Maria and Matt from B&H photograph all that this bucket list destination has to offer, such as landscapes, environmental/travel portraits, astrophotography, the Northern Lights, and more. You’ll learn tips for not just photographing in the extreme cold, but techniques you can apply to your work any time you shoot!

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  • SIGMA Interviews “Prom Dates” Director of Photography Bradford Lipson

    SIGMA Interviews “Prom Dates” Director of Photography Bradford Lipson

    As more cinematographers find out about SIGMA Cine lenses, more large productions use them to tell their stories. The Hulu exclusive “Prom Dates” was filmed primarily with SIGMA Cine lenses, and in this detailed interview, Director of Photography Bradford Lipson discusses the film and his choice of SIGMA glass for this feature-length comedy.

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