Ryuichi Oshimoto

Eye Scene: Photographer, Ryuichi Oshimoto Travels with Sigma Camera & Lenses


From Kingman to Seligman on Route 66 in Arizona

If you look for Route 66 on a typical map, there are numerous green dots on the northern side indicating the scenic locations. Your eye naturally follows the path of Route 66, where it intersects Interstate Highway 40 in Kingman and curves drastically in the northern direction into Seligman.

Whenever I drove through Highway 40 I was always interested in this section of Route 66. For the sole purpose of driving on this road, I left my house near Los Angeles International Airport at five in the morning. After driving north on Interstate Highway 15, I switched over to Interstate 40 at Barstow and continued east. Four hours and 300 miles later, I traveled through Colorado into Arizona. On this bright sunny day, the blue color reflecting from the Colorado River looked exceptionally beautiful from the highway. I spontaneously got off of the highway and pointed the lens at the Colorado River.
 


Positioned between the border of California and Colorado, the Colorado River was beautiful.
My plan was to get to my destination without any stops, but I was fascinated by the beauty and decided to get off of the highway.

Camera: SD14 Lens: APO 70-200 F2.8 II EX DG MACRO HSM, Exposure mode: Manual, ISO: 100, White balance: daylight, Shutter speed: 1/640 sec, Aperture: f5.6, Focal length: 118mm

I arrived at Kingman in about fifty minutes from the Colorado River. The Route 66 museum was on the right hand side as soon I as I exited the highway. A row of lodges lined down the street and after driving slowly through the Route 66 themed town, I enter open land.

In this area, there is nothing that obstructs sunlight or wind. It was the second week of June and the car thermometer read 93°F. A strong gust of wind blew through the land. Unlike the highway, we can park on the shoulder at anytime, so I frequently stopped the car to step outside. Every time I opened the door slightly, the wind would push the door wide open. The wind was so strong that I was afraid the door would snap right off. Occasionally villages were seen, so there were signs of human existence, but what had the biggest impact were the railroad tracks seen on the right hand side during most of the drive.


Kingman seems to embody the spirit of Route 66.
I wonder when this tin building was built.

Camera: SD14 Lens: 10-20mm F3.5 EX DC HSM, Exposure mode: Manual, ISO: 50, White balance: daylight, Shutter speed: 1/250 sec, Aperture: f8.0, Focal length: 10mm


The Route 66 logo drawn on the cylinder shaped water towers creates a strong presence. I purposely lowered the saturation on the already monotonous landscape and emphasized the existence of the water tower.

The wide angle zoom lens captured every detail of the joined areas of the surface.

Camera: SD14 Lens: 10-20mm F3.5 EX DC HSM, Exposure mode: Manual, ISO: 50, White balance: daylight, Shutter speed: 1/250 sec, Aperture: f8.0, Focal length: 12mm


A village located about 300 yards away from Route 66.
The mailboxes were lined up only a few feet away from Route 66.
The colorless desert land and the black tar from the paved road lead to the village.
By decreasing the saturation and increasing the contrast, the mailboxes and the black tar was highlighted.

Camera: SD14 Lens: 18-50mm F2.8 EX DC MACRO, Exposure mode: Manual, ISO: 50, White balance: daylight, Shutter speed: 1/250 sec, Aperture: f10.0, Focal length: 33mm


The Coca Cola flag flutters over a small restaurant area.
Watching the flag billowing in the wind, I imagined a time when Route 66 was used as a main road. With that fantasy in mind, the X3 Fill Light was lowered to create a unique effect.

Camera: SD14 Lens: 18-50mm F2.8 EX DC MACRO, Exposure mode: Manual, ISO: 100, White balance: daylight, Shutter speed: 1/200 sec, Aperture: f11.0, Focal length: 24mm

The railroad running parallel to Route 66 and situated between Kingman and Seligman was mostly the same except for a few sections.
The railroad had several railroad crossings, but I wonder if anyone has crossed this place that day.

Camera: SD14 Lens: 50mm F1.4 EX DG HSM, Exposure mode: Manual, ISO: 50, White balance: daylight, Shutter speed: 1/1000 sec, Aperture: f4.0, Focal length: 50mm


Driving thirty miles from Kingman, the Hackberry General Store and Visitor’s Center displaying antique cars, signs and gasoline pumps comes into view on the left hand side. Drivers coming from the eastern or western direction would barely miss this store. The center was filled with tourists, who looked at a red 1957 corvette while eating ice cream and resting. I could hear languages other than English being spoken. I was certain this road was one of the most famous roads in the world as evidence to all the foreign tourists visiting.

Hackberry in 1882 was where cattle from the surrounding farms and silver from the Hackberry silver mine (closed in 1919) was transported from and it was one of the most important communities at the time. This store once provided merchandise to Hackberry and although presently the owner and the functions are different, the store provides a collection of vintage products, a recollection of the old days, for view.


A 1957 Chevrolet Corvette.
Excessively decreasing the X3 Fill light and turning the photo into sepia, I think about the life in the old days.

Camera: DP1s, Exposure mode: Manual, ISO: 100, White balance: daylight, Shutter speed: 1/60 sec, Aperture: f5.6, Focal length: 16.6mm

Strong sunlight shines on a faded sign.
The saturation was dropped and yellow tone was added to adjust the colors of the faded sign.

Camera: SD14 Lens: 50mm F1.4 EX DG HSM, Exposure mode: Manual, ISO: 50, White balance: daylight, Shutter speed: 1/1000 sec, Aperture: f3.5, Focal length: 50mm



An old car sits next to the store.
The decaying rusty car has a presence and has a stately feel.
Decreasing the saturation and adding magenta and yellow, emphasized the rusty color.

Camera: DP2, Exposure mode: Manual, ISO: 50, White balance: daylight, Shutter speed: 1/125 sec, Aperture: f8.0, Focal length: 24.2mm

Leaving Hackberry afterwards, the strong winds subsided and driving on the well-paved roads were effortless. It was a comfortable drive while catching sight of the hills and fields. A former brick making school building in a small community called Valentine and the northern landscape seen from the fields were burned into my memory. I arrive at Peach Springs and see an interesting looking abandoned gas station, but there were two cars parked there, so I drove off without taking any photos.


After driving through the mountain and ascending up gradual slope, the freight trains come into view. Surrounded by the mountains, it was slowly running through the fields.

Camera: DP1s, Exposure mode: Manual, ISO: 50, White balance: daylight, Shutter speed: 1/125 sec, Aperture: f8.0, Focal length: 16.6mm


I saw one small cabin in the distance on the dry grassland.
Reducing the saturation, the dry, parched atmosphere was expressed.

Camera: DP2, Exposure mode: Manual, ISO: 50, White balance: daylight, Shutter speed: 1/320 sec, Aperture: f8.0, Focal length: 24.2mm

I drove 90 miles from Kingman and arrived at Seligman. There were more than ten motorcycles parked in front of a rather flashy souvenir shop. The shop seems like it went back in time with all the retro displays and instead of just taking a rest stop, I feel like spending the night here. The tourists eating late lunches didn’t seem to be in a hurry to leave.

On this day it seemed like I was the only impatient person there. The map indicated that there were several sightseeing spots extending out of Seligman and intersecting Interstate Highway 40. I drove in that direction, but the intersection came pretty quickly. There were two roads splitting from Seligman and since there are no clear markings, it was easy to go the wrong way. There are some maps that designate both roads at Route 66. I went back to Seligman to go back on the supposedly real Route 66 and headed east.

Most tourists drove to Highway 40 just like I did, so there were almost no cars or motorcycles. It was a peaceful driving course. At the intersection of Highway 40, my planned drive ended here. I could have travelled on to Highway 40, but I went back on Route 66.


Mannequins adorned in retro outfits sit on a pink antique car.
Without losing the pink color from the car, the saturation was lowered enough to bring out the retro feel.

Camera: DP2, Exposure mode: Manual, ISO: 50, White balance: daylight, Shutter speed: 1/250 sec, Aperture: f8.0, Focal length: 24.2mm


Even the mountain of old tires on the side of Route 66 has certain character
To emphasize the texture of the tires, the photo was made black and white.

Camera: DP2, Exposure mode: Manual, ISO: 50, White balance: daylight, Shutter speed: 1/200 sec, Aperture: f5.6, Focal length: 24.2mm


The remnants of a gas station at the crossroads of Route 66 from Seligman.
Using the large aperture lens, the background was blurred slightly and saturation decreased.
Adjusted the colors to bring out the brown color in the gasoline pump.

Camera: SD14 Lens: 50mm F1.4 EX DG HSM, Exposure mode: Manual, ISO: 100, White balance: daylight, Shutter speed: 1/2500 sec, Aperture: f3.5, Focal length: 50mm

The time I headed back west on the road I was originally travelling on, was already six in the evening. Route 66, constructed on November 11, 1926, connecting from Chicago, Illinois to Santa Monica, California, spanning 2400 miles. Just like the song, it should probably be driven from the east to west. This was the thought I had as I watched the beautiful sunset to Seligman. Returning to Peach Springs, the abandoned gas station that I wanted to photograph during the day had been immersed in a warm lighting from the sunset. Although the sun had set, the western sky was still glowing and heading toward the sunset, I seemed to melt into the sky.

The field receiving the setting sunlight was beautifully shining.
The X3 Fill light was reduced to give a softer effect and create a gentle evening atmosphere.

Camera: SD14 Lens: APO70-200mm F2.8 II EX DG MACRO HSM, Exposure mode: Manual, ISO: 50, White balance: daylight, Shutter speed: 1/1000 sec, Aperture: f5.6, Focal length: 165mm



The undulating road stretched out west.
Utilizing the telephoto effect, the road was photographed.
The photograph was made black and white to accentuate the contrast and emphasize the presence of the road.

Camera: SD14 Lens: APO 150-500mm F5-6.3 DG OS HSM, Exposure mode: Manual, ISO: 100, White balance: daylight, Shutter speed: 1/640 sec, Aperture: f8.0, Focal length: 267mm


The last sunlight of the day shined on a deserted gasoline stand.
The saturation was lowered to create a nostalgic photograph.

Camera: DP1s, Exposure mode: Manual, ISO: 100, White balance: daylight, Shutter speed: 1/80 sec, Aperture: f4.5, Focal length: 16.6mm


These freight trains were my traveling buddy until the end.
The sunset was very moving. It was expressed in sepia.

Camera: SD14 Lens: 18-50mm F2.8 EX DC MACRO, Exposure mode: Manual, ISO: 100, White balance: daylight, Shutter speed: 1/125 sec, Aperture: f5.6, Focal length: 18mm


The western sky was forever bright and the railroad tracks seemed to connect to it.
The wide-angle zoom lens was used to take in the whole scene.

Camera: SD14 Lens: 10-20mm F3.5 EX DC HSM, Exposure mode: Manual, ISO: 100, White balance: daylight, Shutter speed: 1/60 sec, Aperture: f5.6, Focal length: 10mm

All artwork on this page was processed from RAW data (X3F) with Sigma PhotoPro software.  After processing, some selected images were imported into retouching software to remove dust.  This photo essay is currently running on Sigma Japan's site and it is published here two months later.